Publications
EDITED COLLECTIONS
PEER REVIEWED PUBLICATIONS
“Mapping the Monstrous: Women’s Horrific Bodies in French Extreme Film,” Estudios Humanísticos Filología 43 (December 2021); special issue on “The Monstrous and the Feminine: From ‘Human’ to ‘Posthuman,’ guest edited by Dr. Cristina Casado Presa.
“Gendered Labor in the Neo-Art House” Media Industries 8, no. 1 Fall 2021.
“Conference Report: Art House Convergence.” Film Comment 42(3): Winter 2018.
“Downloading Soon to a Theater Near You: Digital Film, Local Exhibition, and the Death of 35mm.” The Projector 18:1. Winter 2018.
“Stephanie Rothman Does Not Exist: Narrating a Lost History of Women in Film.” Camera Obscura. September 2017.
“Catfish/Fatfish: Shame, Class, and Embodiment in Reality Entertainment.” Television and New Media. August 2017.
“Managing Through Our Mouths: Producing Taste on the Food Network.” In Mobilized Identities: Mediated Subjectivity and Cultural Crisis in the Neoliberal Era. Illinois: Common Ground Publishing, 2014.
“Pinky Violence: Shock, Awe, and the Exploitation of Sexual Liberation.” Journal of Japanese and Korean Cinema. February 2012.
ANTHOLOGY AND BOOK CHAPTERS
“The Rothman Renaissance, or, The Politics of Archival (Re)Discovery” Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema (2023).
“Women Filmmakers, Stephanie Rothman” Encyclopedia of Gender, Media and Communication (2020)
“Stephanie Rothman and Vampiric Film Histories” Women Make Horror: Feminism, Filmmaking, Genre (2020)
“Listen Up! Interviewing as Method” Writing About Screen Media (2019)
“Non-Compliance: Bitch Planet and Feminist Exploitation” In Media Res (2015)
“Stephanie Rothman” Fifty Hollywood Directors (2014)
“Leave It All Behind: The Post-Apocalyptic Renunciation of Technology in The Walking Dead.” Thinking Dead: What the Zombie Apocalypse Means (2013)
“Ilsa and Elsa: Nazisploitation, Mainstream Film, and Cinematic Transference” Nazisploitation!: The Nazi Image in Low-Brow Cinema and Culture (2011)
FORTHCOMING WORK
“Pushing the Limits of the Para: The Industrial Complications of Second Wave Exploitation Film Posters as Paratext.” In By Design: The Movie Poster in Theory and Practice, edited by Robert Singe and Gary D. Rhodes. University of Mississippi Press, 2023.
BOOK REVIEWS
Review of Domestic Violence in Hollywood Films by Diane L. Shoos. Women’s Studies in Communication. January 2020. DOI: 10.1080/07491409.2019.1709360.
Review of Brutal Intimacy: Analyzing Contemporary French Cinema by Tim Palmer. Bright Lights Film Journal. May 2012. www.brightlightsfilm.com.
